Die Hard was awesome, Die Hard 2: Die Harder was okay in spite of the ridiculous name so, by the rule of thumb for threequels, Die Hard: With A Vengeance should have yipeekayed down the slide of credibility and been awful.
John McClane (Willis) is washed up and having woman troubles again but theres no time to get over his hangover as hes unwittingly dragged into a deadly game of cat-and-mouse. This time its an anonymous meanie (Irons) who is forcing McClane and Zues (Jackson), an agitated member of the black community who happened to get in the way, to undergo a series of mental trials around New York in order to stop a series of bombs from going off.
So how did John McTiernan manage to do the unthinkable and create a third part that some would argue comes close to the Christmas classic original? For a start, they didnt try the usual and leave the storyline behind whilst upping the ante a thousand fold with the special effects frankly how could you get bigger than crashing a plane in Die Harder. The casting also represented a few coups by getting Samuel L. Jackson onboard as McClanes bickering partner fresh from his defining role in Pulp Fiction and having Jeremy Irons successfully do an Alan Rickman as a (Spoiler!) thespian Germanic villain.
Die Hard 3 is an original, enjoyable ride from the first explosion during the credits, throughout the corporate teambuilding weekend tasks, to the unfolding evil masterplan and its inevitable scuppering. For the best part of the film the usual thriller formula is turned on its head as the cops arent trying to find the bad guys but instead McClane and co. are very obviously in their pockets which gives it a much-needed refreshing feel. There is also genuine character progression, a quirky soundtrack and plenty of impressive stunts plus its even interactional as you can shout out the answers of the IQ-type tasks at the screen all you like (although they ignore you most of the time).