The bungling French sleuth Inspector Clouseau easily ranks as one of the most iconic comic creations ever to hit the big screen. Hes popped up as a character in NINE motion pictures, a fondly-remembered cartoon TV series, and will return to the media spotlight later in 2005 when Steve Martin adopts the mac, hat and moustache for a tepidly-awaited remake of this one: The Pink Panther, the one where it all began.
With that in mind, it came as a bit of a surprise to me while watching this newly-released DVD package that the film is, well how can I say this not really all that good. Dont get me wrong Peter Sellers is wonderful as Clouseau, and it doesnt take a genius to work out why hes long-since become synonymous with the role despite other actors having a crack at it over the years. But the film as a whole is too long, too restrictive with its material, and makes a gargantuan error in spending most of its time focussing not on Clouseau at all, but on David Niven as the gentleman thief hes devoted his life to tracking down.
You see, its Niven who takes top billing in the animated opening sequence, and its Niven whose character Sir Charles Lytton was originally intended as the subject for a long-running franchise. And sure, the famous cad doesnt let us down. In fact, hes practically tailor-made for the role of the v-necked criminal master-mind Hell-bent on nabbing the priceless diamond of the title from a beautiful Indian princess (Claudia Cardinale).
But Sellers, when we get to see him, steals the show. Looking back through the history of on-screen comedy, it seems to me that very few people have actually succeeded in making slapstick funny. Youve got the early stuff from the likes of Laurel and Hardy, the Marx Brothers and the Three Stooges, and more recently theres been Rowan Atkinsons Mr Bean and pretty much anything involving Rik Mayall and Ade Edmonson but, in the massive gap in-between, there was only really Sellers. With his constant stumblig and pratfalling, hes a master of the art.
The Pink Panther is a chance to see that master at work, but by no means the best chance youll get. That honour goes to the second Clouseau film, A Shot in the Dark released just months after this one, and without doubt a funnier and superior piece of work. This original might lay the groundwork for Clouseau, but its not one of the greats.