Like an attractive newsreader, Inception is intelligent, pretty and makes you think, which is a novelty nowadays in the world of the blockbuster. An extremely well-executed heist movie with a twist and another success for Christopher Nolan.
It’s a mess, and Megan Fox is pretty much pointless, but Jonah Hex has its moments of B-movie Western fun.
As quintessentially British as tea and scones, binge drinking, and teenage pregnancy. This comedy thriller is pretty lightweight but packed full of subtle irony and sarcastic humour.
A good detective thriller made great by an eye-opening ending. It’s just such a shame that, unless you’ve been living in North Korea or in Josef Fritzl’s basement for fifteen years, no-one will come to this movie untouched by the hype.
Somehow, in a mainstream US market that likes its genre films to be in space and its summer films to blow things up, Splice is able to make us think, gross us out, and even scare us a little.
Weve seen it before, but this action flick is a quick, funny watch, due mostly to a masterfully ridiculous performance by Travolta, that only sags a little at the end.
Summer is the time for mindless blockbuster shenanigans, and though it’s not a classic or anything, The A-Team revamp is good at what it does and much better than Killers.
Quite possibly one of the worst movies of the year thus far, Killers is an example of what happens when all the wrong things combine into one dreadful movie.
Forget the controversy surrounding the brutal violence, The Killer Inside Me is a well-acted, thought provoking film noir impressively told from the twisted point of view of a serial killer.
A vastly inferior sequel that just doesn’t grab the viewer’s attention like the original. Explanation over-load removes any hint of mystery and proves to be [Rec]2’s major downfall.
